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Every main character has their own distinct musical theme (think Peter and the Wolf but for the apocalypse) and the music helps to gently guide you round the world as well as providing the emotional core of the experience.Īll we want as artists I think is to keep getting better we strive for the thing that is always out of reach. This level of immersion in the game world has enabled me to write a score that is a love letter to the game and the characters within it. Of course there have also been times when I would have chewed my own arm off to leave the development, but that’s how it goes on long projects! I know this game so well – I know every rock, every VO, every blade of grass.

Uncover the traces of the vanished community discover fragments of events and memories to piece together the mystery of the apocalypse.įeaturing a beautiful, detailed open-world and a haunting soundtrack, Everybody’s Gone to the Rapture is non-linear storytelling at its best.As well as being The Chinese Room composer I’m also joint studio head, and working on this game has been a blast. Immerse yourself in a rich, deep adventure from award-winning developer The Chinese Room and investigate the last days of Yaughton Valley. And someone remains behind, to try and unravel the mystery. Above it all, the telescopes of the Observatory point out at dead stars and endless darkness. The televisions are tuned to vacant channels. Strange voices haunt the radio waves as uncollected washing hangs listlessly on the line. Down on Appleton’s farm, crops rustle untended. Toys lie forgotten in the playground, the wind blows quarantine leaflets around the silent churchyard. 06:37am 6th June 1984.ĭeep within the Shropshire countryside, the village of Yaughton stands empty.

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